Limbo typeface
An experimental work in progress
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An experimental work in progress
Dear Letters,
Unlearning The Typographic Rules Which I Never Learned Anyway.
Riso-printed and bound by me in fluorescent pink and gold.
“By using various methods, analogue and digital, I have worked with letters in my practical research on how to make it less intimidating to work with typography. I have invited other designers to help me think and write down what has become the foundation of a manifesto which is combined with an ensemble of words, associated with letters and typography, that constitutes the publication.“ Find the Manifesto here.
Riso-printed and bound by me in fluorescent pink and gold.
“By using various methods, analogue and digital, I have worked with letters in my practical research on how to make it less intimidating to work with typography. I have invited other designers to help me think and write down what has become the foundation of a manifesto which is combined with an ensemble of words, associated with letters and typography, that constitutes the publication.“ Find the Manifesto here.
During a course in sustainability held by Benedetta Crippa I worked with Hélène Cixous' text, The Laugh Of The Medusa which I picked out some quotes from. Together with a modular system for shapes I created an environment for the text to exist in. In the end I printed and made a publication out of the big pages.
The Laugh Of The Medusa by Hélène Cixous
2021
Publication
2021
Publication
During my internship at Sakaria Studio, together with Minna Sakaria we collaborated on her first own exhibition identity. Vinyl stickers on posters and invitations.
Knoppar
2021
Visual Identity
2021
Visual Identity
Together with C-Print, me and my classmates were invited to create their first physical magazine. A collective work.
Some of my spreads.
Some of my spreads.
C-Print The Future Watch Issue
2021
Magazine
2021
Magazine
